1. English consonants are divided into three didactic groups: wise, weak, strong. Their rendition is ruled by three keys: Nordic, Latin, Greek.
Most consonant standards on this page were codified by the great conclave of 1587.
2. A key is a set of assignments.
3. An assignment is the allocation of an assigner to a recipient.
4. An assigner is one of the 40 consonant letters and combinations (graphemes) handed down by tradition, available for assignments:
Assigners
| b | d | ge | gü | j | m | p | si | t | x |
| c | dd | gg | gw | k | n | qu | sh | th | y |
| ch | f | gi | h | kw | ng | r | ss | v | z |
| ci | g | gu | hw | l | nn | s | su | w | zz |
The digraphs ci, cti, gi, su, ti only occur in Latin suffixes, cf. Morphology. Apart from above, no doubling of consonants occurs. An accidental encounter is no doubling: un-nerving, ac-cess, ac-cident.

5. A recipient is a culturally relevant phoneme or phoneme combination to which an assigner is assigned. Recipients are called after a name or sound that carries the consonant:
Recipients
| bess | exam | kwee | pen | then |
| chess | genre | eks | ree | vee |
| den | hee | lee | thin | wes |
| fen | hwen | mee | sen | yes |
| guess | jess | ness | shee | zen |
| gwen | ken | wing | ten | [eksh] |
6. The recipients correspond to the following phonemes and combinations:
| /b/ | /gz/ | /kw/ | /p/ | /ð/ |
| /tʃ/ | /ʒ/ | /ks/ | /r/ | /v/ |
| /d/ | /h/ | /l/ | /θ/ | /w/ |
| /f/ | /hw/ | /m/ | /s/ | /j/ |
| /g/ | /dʒ/ | /n/ | /ʃ/ | /z/ |
| /gw/ | /k/ | /ŋ/ | /t/ | [/kʃ/] |
English pronunciation is not uniform. The above phonemes represent a subjective perception of British received pronunciation in an educated environment in Winchester. While the list may be a didactic starting point for phonetic literacy, it does not lay any normative claim on English Pronunciation.


7. Orthography may be:
- monoglotic when one spelling system fits all words, e.g. French.
- polyglotic when several systems coexist, e.g. Bloo Bouk.
8. The Bloo Bouk divides English consonants into three spelling systems, called keys. Each key has its own method of assignments. The keys control words from the following families:
Keys
| Nordic | Latin | Greek |
|---|---|---|
| Old English | Latin | Ancient Greek |
| Middle English | Old French | Latin from Greek |
| Old Norse | Anglo-Norman | modern Greek |
| German & Dutch | Middle French | Greek disputed |
| Scandinavian languages | early Modern French | unknown origin |
| Celtic languages | early Romance languages |
The assignments of one key do not apply to another:
- one key may assign assigner x to guess,
- another key might assign assigner y to it.


9. Polyvalence is the representation of one recipient by several assigners, or vice-versa. In polygraphy, one sound recipient may be represented by several assigners. In polyphony, one assigner may represent several sound recipients. In the Bloo Bouk code, polyphony does not occur in the same key.
Polygraphy may occur. An assignment is:
- unique when only one assigner is assigned to a recipient: b to bee in the Latin key.
- multiple when several assigners are assigned to a recipient: dd and th to then in the Nordic key.
Multiple assigners are assigned for different contexts, e.g. dd and th to then in the Nordic key:
- th for word beginning: the, that, then, thees.
- dd for other positions: wedder, widdin, rydd.


10. Alien words are words from the above languages loaned into English after ca. 1700, or words from other languages. Alien words keep their alien spelling if:
- the word becomes unrecognisable, e.g.:
French rendezvous, étude, façade > *randævu, *ætued, *fassâd; - the word has non-vernacular phonemes, e.g.
French gendarme, joie de vivre, malheur, huile.
The following Modern French phonemes cannot be accommodated: /ʒ ɥ wɑ y œ ø ɛ̃ œ̃ ɑ̃ ɔ̃/.
11. Facultatively, French aliens follow the Latin key if:
- the word remains recognisable, e.g.:
French groupe > group > gruep; - current pronunciation has made the spelling unrecognisable, e.g.:
French reveille > revàly.
A French alien is a word of French origin loaned into English after ca. 1700. The words loaned between the Norman period and the early modern age are French vernaculars.
The latest revision of Bloo Bouk spelling dates back to 1687 (and 1587 for consonants). While English has become an international language, the foreign inputs from Anglo-Norman, Latin and Greek can still be described as the most substantial.

12. Spelling is the most common writing of a word. Orthography is the art of shaping word-writing for aesthetic excellence.
A lexicographer describes a word in its most common writing. An orthographer writes a word in its best aesthetic shape.
Linguistics is the science of describing language. Orthography is not a branch of linguistics as a science, but a separate art. A linguist is not allowed to judge language aesthetically. Orthography is the aesthetic judgement of the shape of written words. An orthographer’s work is enriched by linguistic training, but linguistics alone does not make an orthographer.
Aesthetic judgement, however reasonable, is biased. It is the linguist’s duty of science to point out the orthographer’s bias. And it is the orthographer’s art to own it.
An orthographer is not concerned with spelling reform or language control. Orthography is an aesthetic pursuit, rewarded by the inherent pleasure of the exertion.

13. An orthographic requirement is a justified expectation regarding the result of an assignment. Each requirement corresponds to a function. An orthographic function is a cultural purpose attributed to an assignment as a guideline for collective acceptance. Orthography admits of several functions.
The Bloo Bouk observes the following requirements:
- phonological: the assignment must indicate pronunciation.
- etymological: the assignment must reflect word origin.
- customary: the assignment must look familiar.
- aesthetic: the assigment must please the eye.
Orthography is the art of blending orthographic functions. Exaggerated focus on only one requirement leads to degeneration:
- phoneticism turns spelling into phonetic transcription, e.g.
Ðë sìti jùj ëbzêrvz ðë këndìshënz ëv ðe jùjmënt, instead of
The city jugg obzérvs the condicions ov the juggment. - primitivism turns spelling into an archeological museum, e.g.
Yck habbe allewayghaes y-loubbed yeow, instead of
Y hav oalwæs luvd u. - usualism turns spelling into a traditionalist cult, e.g.
People compete to meet the priest on the heath, instead of
Pépel compét to meet the preest on the heeth. - mannerism turns spelling into cosmetic aestheticism, e.g.
I have much love to give the dove I live for, instead of
Y hav much luv to giv the duv Y liv for.
14. The Bloo Bouk applies the following blending method:
- phonological requirement: within a key, every assigment is allocated primarily to indicate pronunciation.
- etymological requirement: beforehand, words are divided into etymological families, under a different key.
- customary requirement: regardless of the key, every assignment shows a degree of historical precedence.
- aesthetic requirement: every key allows for aesthetic licence and variety to preserve orthographic depth.
The method is put into practice through the following procedure:
- word isolation: assesses etymology and assigns the word to a key.
- recipient isolation: isolates the desired recipient.
- assigner isolation: identifies the assigners available for the recipient.
- customary assessment: assesses the assigners recurrent in the authoritative sources.
- aesthetic judgement: selects the most non-innovative candidates and considers variety.
- aesthetic probation: tests the assignment on other words in the same key.
- final assignation: standardises the assignment of an assigner to a recipient.

15. Customary justification clarifies how an assignment aligns with tradition. No language exists in a cultural vacuum. The price of accurate spelling cannot be arbitrary innovation.
Although every art has infinite tools of expression, the most refined works seek to make the best out of limited resources. The orthographer’s tools are the assigners. Originality is not an unlearned break with tradition but a critical dialogue, of which the orthographic outcome looks refreshed without feeling alien.
16. An assignment is justified by custom when the assigner occurs in the same word, or in a similar context, in authoritative sources.
17. Historical sources have different degrees of authority. A degree of authority informs the ability of a source to be a reference of good spelling.
18. The Bloo Bouk acknowledges four degrees of authority:
- First degree: the assigner is recurrent in a similar lexical context in Chaucer or the Matter of England.
- Second degree: the assigner is recurrent in Modern English, whether or not directly applied to the target recipient.
- Third degree: the assigner occurs only occasionally in Old, Middle or Modern English, or is recurrent but in a different context.
- Fourth degree: the assigner is loaned from a reasonable lexical context in a related language due to insufficient vernacular references.
Thus ou is a first degree assignment to brooke in fout [foot]: the assigner occurs in the same word in King Horn, even though the recipient may have been another. The familiarity we seek speaks not to the ear, but to the eye.
Chaucer and the Matter of England are more authoritative than Modern English. Middle English spellings are consistent and variety of spellings for the same word is controlled (e.g. saint, seint, saynt, seynt, but not soint, seunt, saunt, soont). Modern English assignments are usualistic and manneristic. They result from inaccurate intervention by printers, lexicographers and chancery officers. Bloo Bouk reimagines what an organic orthographic transition might have looked like without such distortion.


Table 1: Consonant recipients of the Bloo Bouk code.

Table 2: The Nordic key assigns the above assigners to the consonant recipients of the Bloo Bouk code.

Table 3: The Latin key assigns the above assigners to the consonant recipients of the Bloo Bouk code.

Table 4: The Greek key assigns the above assigners to the consonant recipients of the Bloo Bouk code.

The following tables show English consonants in the Bloo Bouk code (click the arrow). Consonants without key specification are the same in all keys, e.g. mee, ness, wing.
For the spelling of affixes, cf. Morphology. Some inconsistencies inherited from Latin and shared by Romance languages are preserved, e.g. in the rendition of jess.
To hear the sound of the English consonants, cf. Pronunciation.

A. Wise Consonants
Nasals, approximants and semivowelsmee
| may | amount | calm | lamb |
| mine | commerce | alarm | bomb |
| mother | remark | monism | climb |
| marry | communicate | madam | some |
| æ | aóunt | cà | la |
| yn | coérs | alar | bo |
| udder | reárk | monize | cly |
| ary | counicæt | mada | su |
First degree
Phonological function: PPA: may, madam, alarm > lam, bom, sum.
Etymological function: no silent relic: lamb, bomb, climb > lam, bom, clym.
Aesthetic function: graphic shallowing: (a) subtraction of silent letters: mb, me > m; (b) undoubling: mm > m.
ness
| need | renew | kin | plenty |
| noise | know | lemons | render |
| new | sunny | demons | grind |
| gnome | sinning | listen | unknown |
| eed | reew | ki | plety |
| oiz | œ | lemos | reder |
| ew | suy | démos | gryd |
| oem | siing | lisse | uœn |
First degree
Phonological function: PPA: need, render, kin > noe, sining.
Etymological function: no silent relic: know, knight, gnome > noe, nyt, noem.
Aesthetic function: graphic shallowing: (a) subtraction of silent letters: gn, kn > n; (b) undoubling: nn > n. note: unnoen [un/noen], unnatural [un/natural].
wing
(1) Middle, (2) Middle before guess and ken
| singer1 | length1 | melancholy2 | finger2 |
| bringing1 | English2 | thank2 | think2 |
Final open
| song | sang | reading | wrong |
| ring | clung | singing | thing |
Middle
| sier1 | leth1 | mèlakoly2 | figer2 |
| briing1 | Iglish2 | thak2 | thik2 |
Third degree
Phonological function: (1) proximate pattern assimilation (PPA III), from Middle and Modern English: *running, *banner, *funny > kinns, lonner, rinning; (2) cognate pattern assimilation (CPA), from Danish to Norwegian spelling: vand > vann, ind > inn, hende > henne etc.; *vann, *inn, *henne > sinning, stronner, rinns.
Customary reference: no authoritative pattern reference for medial wing in Middle and Modern English, nn taken from ness (third degree of authority); from Norwegian (fourth degree). Inappropriate options: ng (polyphonic with wing and guess; sinner: wing only; finger: wing and guess).
Aesthetic function: (1) graphic shallowing: (b) substitution (medial): ng > nn. least intrusive pattern. (2) graphic deepening: (a) shortening: nnk > nk [sinnk > sink; mèlannkoly > mèlankoly]; nng > ng (medial) [Innglish > Inglish; finnger > finger].
| so | sa | reedi | ro |
| ri | clu | sinni | thi |
First degree
Inflections: sing, sang, sung > sinns, sinning | king > kinns
yes
| yacht | yeast | yonder | your |
| yes | ye | beyond | yea |
| ot | eest | onder | or |
| es | ee | biond | æ |
First degree
Etymological function: ye/yee, yor, yors; *yoo > ew [Old English eow, stressed] and u [unstressed].
Aesthetic function: graphic deepening: (a) initial Nordic-hugh licence: yooth, yoo, ewe, yew > ewth, ew, ew, ew.
wes
| what | was | wise | womb |
| waft | were | western | wolf |
| ot | os | yz | oom |
| oft | er | estern | oulf |
First degree
Aesthetic function: (a) graphic deepening: hwen-licence: [wot, wen, wear, wy etc.] or [hwot, hwen, hwear/hwer, hwy etc.].
ree
| rap | wrong | pair | correct |
| rest | cross | transfer | arrest |
| write | effort | actor | current |
| rock | proclaim | catarrh | arrive |
| ap | ong | pai | coèct |
| est | coss | transfe | aèst |
| yt | èfot | acto | cùent |
| ok | poclám | katá | aív |
First degree
Phonological function: PPA: rap, rest, cross > rong, ryt, corèct.
Etymological function: (1) preservation of rhotic heritage also in non-rhotic sppech: pair, actor, transfer. (2) no silent relic: write, arrest, catarrh > ryt, arèst, katár.
Customary reference: cf. King Horn: arive, not arrive.
Aesthetic function: graphic shallowing: (a) subtraction of silent letters: wr, rh > r; (b) undoubling: rr > r.
lee
| lap | lust | shall | fill |
| left | class | tell | gallery |
| light | flute | call | full |
| lock | relax | tall | rule |
| ap | ust | sha | fi |
| eft | càss | te | gaery |
| yt | fuet | coa | fou |
| ok | reàx | toa | rue |
First degree
Phonological function: PPA: lap, class, regal > shal, galery, wil. no distinction between dark and light lee.
Customary reference: cf. Canterbury Tales: shal, bifel, ful, wel.; cf. Howell’s 1662 Grammar: “In most words ending in ll, the later l may be spared, as Bell bel, fell fel, tell tel, mongrell mongrel &c. and the sound of the word remains as full.”
Aesthetic function: graphic shallowing: (a) undoubling: ll > l.

Lady Matilda pleads with king Henry III for protecting the Bloo Bouk legacy in 1236. Lady Matilda’s intervention secured the first instance of royal assistance, however limited, since the Norman invasion.

B. Weak Consonants
Voiced and unaspirated, both plosive and fricativebess
| bad | but | bribe | cabbage |
| best | about | bribed | rabbit |
| bit | abbot | rob | rebuke |
| bottle | combine | robbed | rabbi |
| ad | ut | bry | caagg |
| est | aaut | bryd | rait |
| it | aot | ro | reúk |
| otel | comín | rod | raey |
First degree:
Inflections: grab, grabs, grabd, grabing
den
| day | address | addict | loved |
| debt | undo | third | carried |
| dish | advent | reverend | wanted |
| dog | redeem | ballad | wretched |
| æ | arèss | aict | luv |
| et | uno | ther | cary |
| ish | avènt | reveren | wonte |
| og | reém | bala | reche |
First degree:
Inflections: luv, luvs, luvd, luving | need, needs, needed, needing
cary, carys, caryd, carying | plæ, plæs, plæd, playing
guess | Nordic
| gap | guest | giddy | beggar |
| garlic | give | ghost | forget |
| get | girl | aghast | bag |
| guess | guilt | begin | egg |
| ap | est | idy | bear |
| arlic | iv | œst | foret |
| et | erl | aawst | ba |
| ess | ilt | biin | e |
First degree:
cf. Canterbury Tales, 81:
Of twenty yeer of age he was, I gesse.
cf. Sir Gawain and the Green Knight: gest.
guess | Greek-Latin
Before a, o, u; final
| garden | gout | gulf | league |
| guardian | regard | plague | colleague |
Before e, i, y
| guerdon | guile | longitude | beguile |
| guitar | guide | guise | disguise |
Before a, o, u; final
| arden | out | ulf | lee |
| ardian | reárd | plæ | cole |
First degree:
cf. Howell’s Grammar: Gard; cf. Modern French: garde.
| erdon | yl | lonitued | biíl |
| itár | yd | yz | disíz |
First degree
gwen
Celtic
| Gwen | Gwyneth | Gwendolyn | Gwyn |
Latin
| language | lingual | bilingual | guaraná |
| segue | sanguine | anguish | penguin |
Celtic
| en | ineth | endolin | in |
First degree
Latin
| lanagg | linal | bylinal | arana |
| seæ | sanin | anish | penin |
First degree:
gü distinguishes Latin gwen from gu in a hiatus:
langüagg, sangüin > arguably, jaguar, ambiguos.
exam
| exam | exist | exude | exact |
| exotic | existence | exuberant | exhaust |
| eàm | eìst | eúd | eàct |
| eòtik | eìstens | euberant | eáust |
Fourth degree:
zz is a digraph from Italian.
It distinguishes exam from eks: ezzàm, ezzèmpt, ezzàmpel > exèl, extrém, exèntrik.
jess
Initial and Middle with j
| jar | jostle | adjacent | jacket |
| jade | rejoice | eject | cajole |
| jeans | just | juice | jealous |
Initial with g, before e, i, y; non-Nordic
| gentle | gin | geometry | germ |
| gesture | gene | gimnastics | giant |
Middle with gg: (1) before e, i, y, (2) before consonant, (3) final
| agile | rigid | urgent | Egypt |
| agent | sergent | hydrogen | vengeans |
| lodge | porridge | language | large |
| judge | marriage | vegetable | scourge |
| hemorrhage | syringe | litharge | demiurge |
| edge | ridge | knowledge | bridge |
Initial and Middle with j
| ar | ossel | aácent | aket |
| æd | reóis | eèct | caœl |
| eens | ust | ues | elos |
First degree:
mostly from words originally with Latin yes /j/, does not include Greek.
sometimes written i in Middle English, cf. Sir Gawain and the Green Knight: iustyng.
Initial with g, before e, i, y; non-Nordic
| entel | in | eòmetry | erm |
| estur | een | imnàstiks | íant |
First degree:
mostly from words originally with Latin or Greek guess /g/.
j can only occur where it used to be the semivowel i before Latin-French vowels:
iustus, adiacens > just, ajácent | general, geography > *jeneral, *jeògrafy.
j cannot replace Greek-Latin ge- or gi-: Genua, George, ginger > *Jenua, *Jorgg, *jinjer.
| ayl | riid | erent | Éipt |
| áent | sarent | hídroen | venens |
| lo | pori | langüa | lar |
| ju | mara | vetabel | sker |
| hèmora | sirìn | lithar | demier |
| e | ri | nole | bri |
First degree:
cf. Canterbury Tales: abregge, alegge. | cf. Sir Gawain and the Green Knight: iugged, brygge.
cf. Pearl: jugged. | cf. King Horn: brigge, rigge. | cf. Havelok the Dane: brigge.
Inflections: jugg, jugges, juggd, jugging | egg, egges, eggd, egging | brigg, brigges
j cannot occur in final position. g in final position is already assigned to guess.
vee
| vast | event | have | clove |
| vase | invest | give | gave |
| venison | avail | love | loved |
| victory | revere | rev | revving |
| àst | eènt | ha | clœ |
| àz | inèst | gi | gæ |
| enisson | aál | lu | lud |
| ictory | reeer | re | reing |
First degree:
cf. Howell’s 1662 Grammar:
“There is a Maxim in Logic, that frustra fit per plura, quod fieri potest per pauciora, More is too much when fewer will serve: and as this Rule holds in all things els, so it may well do in Orthography.”
Hence: have, give, love > hav, giv, luv
then
Initial
| the | this | that | they |
| though | these | those | them |
| there | their | they’re | then |
| thou | thee | thy | thus |
Middle and Final
| although | rhythm | bother | blithe |
| paths | mother | bathe | clothed |
| truths | father | bathed | loathe |
| with | brother | clothe | loathes |
Initial
| e | is | at | æ |
| œ | ees | œs | em |
| ear | ear | ear | en |
| au | ee | y | us |
First degree:
There is no convincing assigner for initial then that is recurrent both in Chaucer and in Modern English:
cf. the > *dhe, *dde, *tte, *ðe, *þe.
þ is the closest assigner, as it was used in other Middle English texts and in early modern English handwriting.
But it is onerous to assign a disused letter to the most recurrent words of the English language: the, this, that etc.
Initial then only occurs in a limited number of words. They keep their traditional th assigner as protected words.
Middle and Final
| oalœ | rim | boer | bly |
| paws | muer | bæ | clœd |
| troos | fawer | bæd | lœ |
| wi | bruer | clœ | lœs |
Second degree:
dd is recurrent in Middle and Modern English. Yet the above use is borrowed from Welsh.
Final dd with morphemic d may be written thd: bæddd, clœddd > bæthd, clœthd.
Inflections: lœdd, lœdds, lœthd, lœdding.
zen
Initial, Middle before or after consonant, root final
| zebra | zealous | charisma | cleanse |
| zip | wisdom | plasma | compose |
| zest | observe | rise | analyse |
| zeal | dismal | browse | to use |
Middle between vowels, morphemic final
| bosom | analysing | possess | lions |
| resist | composing | zebras | lion’s |
| music | he houses | analyses | men’s |
| using | physics | plays | voices |
Initial, Middle before or after consonant, root final
| ebra | elos | karìma | clen |
| ip | widom | plàma | compó |
| est | obérv | ry | ànaly |
| eel | dimal | brau | to ue |
First degree:
Middle and Modern English do not distinguish middle zen from middle sen next to consonants:
observe, obscene > obzérv, obsén
dismal, disdain > dizmal, disdán
wisdom, whisky > wizdom, wisky
When final zen does not mark plural, genitive or third person, it is written z:
rise, browse, cleanse > ryz, brauz, clenz
cf. Sir Gawain and the Green Knight with final z, albeit morphemic: biginez, werkez, kyngez, stonez.
Middle between vowels, morphemic final
| bouom | ànalying | poèss | lyon |
| reìst | compóing | zebra | lyon |
| muik | he haues | ànalyse | men |
| uing | fiiks | plæ | voice |
First degree:
Inflections: ànalyz, ànalyses, ànalyzd, ànalysing | uez, uses, uezd, using (cf. also Latin hugh)
aryz, aryses, arœz, arysing | aróuz, aróuses, aróuzd, aróusing.
ànalyses, using, risen, aróusing: s, because zen is between vowels.
But: clenzes, clenzing: z, because zen is not between vowels.
For genitive and plural inflections, cf. Morphology.
Howell’s Grammar does not use apostrophe for the genitive: “R is the Dogs letter, (...) this Letter sounds of a Dogs nostrill, (...) S, the Serpents Letter,” and “Now ’tis the Accents duty to make us pronounce aright.”
genre | French only
| genre | gendarme | beige | protégé |
| nre | ndarm | bæ | pròteay |
Second degree:
In Modern French aliens, genre before a, o, u is not standardised: joie de vivre, belle de jour > *geowà de vévre, *bel de geour.
For the use of genre in Latin suffixes, see Morphology.

Aldhelm presents the Bloo Bouk to the monks of Malmesbury Abbey for the first time, ca. 705. It is Aldhelm himself who introduced the spelling keys system to the Bloo Bouk code.

C. Strong Consonants
Voiceless and often aspirated, both plosive and fricativepen
| pad | pump | impress | group |
| pest | praise | corrupt | hiccough |
| pill | empirical | lip | lamp |
| pond | appear | grape | syrup |
| ad | ump | imrèss | grue |
| est | ræz | corùt | hicu |
| il | emìrikal | li | lam |
| ond | aeer | græ | siru |
First degree
ten
| tab | return | anterior | asked |
| test | attend | priest | vexed |
| tick | tree | great | washed |
| top | topic | kissed | latched |
| ab | reérn | anërior | awsk |
| est | aènd | prees | vex |
| ik | ree | græ | wosh |
| op | opik | kis | lach |
First degree:
Inflections: kiss, kisses, kist, kissing | lach, laches, lacht, laching
cf. Canterbury Tales: kist.
ken | Nordic-Latin
Initial and Middle before a, o, u, or consonant
| cat | class | actual | collar |
| cost | crisp | access | case |
| cup | increase | crazy | kale |
| cook | acclaim | consume | colour |
Initial and Middle before e, i, y
| kernel | curtsy | occur | ken |
| article | curl | akin | conquer |
| colonel | care | kissing | curved |
| kerchief | kite | scourge | accursed |
Final
| black | make | bloc | antique |
| rock | book | unique | creak |
| stroke | public | block | baroque |
Initial and Middle before a, o, u, or consonant
| at | làss | atual | olar |
| ost | risp | acèss | æs |
| up | inrés | ræsy | æl |
| uik | alám | onsúm | ùlor |
First degree:
a Latin assignment later adopted by the Anglo-Saxons.
Initial and Middle before e, i, y
| ernel | ertsy | oér | en |
| artiel | erl | ain | còner |
| ernel | ear | issing | ervd |
| erchif | yt | sergg | aérst |
First degree:
an Anglo-Norman loan of Greek kappa against the ambiguous Latin c.
cf. Thomas of Britain, Tristan: ki [qui], ke [que], kel [quel], unkes [oncques], aukes [auques], eskermies, eskermir, eskipre, eschekerez, wiket, tresk
cf. courchief > kerchief; article > artikel etc.
cf. Canterbury Tales: takel [tackle], sikerly.
cf. Howell’s Grammar:
“C might well be spared when it comes before k, as fickle, fikle [> fikel], pickle, pikle [> pikel], tickle, tikle [> tikel], &c. for the word retains still its full sound.”
| bla | mæ | blo | anté |
| ro | bou | uné | cree |
| strœ | publi | blo | barò |
First degree:
cf. Canterbury Tales: blak, quik, garleek, cok, flok.
cf. Sir Gawain and the Green Knight: prik, nek, bak, thik.
ken | Greek
| category | chromatic | ochlocracy | catholic |
| chemistry | crisis | Christian | school |
| climate | chemical | Terpsichore | stomach |
| charisma | Christ | Cyclops | cataclysm |
| àtegory | romàtik | olòkrassy | àtholik |
| èmistry | ríssis | ristian | suel |
| límat | kèmial | Terpsìory | stuma |
| arìzma | ryst | Sílops | àtaklizem |
First degree:
cf. Canterbury Tales: logik, phisik, magik.
Consistent k for ken mirrors the consistency of Greek spelling. Greek chi merges with kappa.
cf. Havelok the Dane: patriark.
skuel [ov pupils] > Greek key | scool [ov fish] > Nordic key
kwee
Nordic
| quack | quell | quick | quoth |
| quake | queen | quiver | qualm |
Latin
| quaint | request | quit | quote |
| quality | equipment | question | quotient |
Nordic
| ak | el | ik | œth |
| æk | een | iver | awm |
First degree:
cf. Old English: cwen, cwellan, cwic, cwifer
Latin
| ænt | reèst | eipment | œt |
| olity | éal | estion | ócient |
First degree
eks-eksh
| vex | ecstasy | relax | ox |
| excel | eccentric | extreme | luxury |
| ve | ètassy | relà | o |
| eèl | eèntrik | etrém | luury |
First degree
chess
| charm | church | much | dispatch |
| check | achieve | match | dispatched |
| chill | reach | fetch | enriched |
| choke | chocolate | botch | touch |
| arm | erch | mu | dispà |
| ek | aév | ma | dispàt |
| il | ree | fe | enrìt |
| œk | ocolat | bo | tu |
First degree:
cf. Canterbury Tales: bocher [butcher].
cf. Sir Gawain and the Green Knight: cach, lach, mach.
fen
| fat | full | infer | graphic |
| fest | effect | faun | enough |
| fill | refrain | photo | laugh |
| fox | afloat | philosophy | tough |
| at | oul | inér | graik |
| est | eèct | aun | enu |
| il | rerán | óto | law |
| ox | alœt | ilòssofy | tu |
First degree:
The standardisation of Greek ph into f follows the Italian-Spanish pattern, now also German.
thin
| thatch | thud | through | both |
| thegn | thaw | pithy | depth |
| thin | threw | ethos | maths |
| thorough | theme | faith | author |
| ach | ud | roo | bœ |
| æn | oa | piy | dep |
| in | roo | éos | mas |
| orœ | eem | fæ | auor |
First degree
sen
(1) Initial, (2) middle next to consonant, (3) root final after consonant (4) or two vowels, (5) morphemic final
| sad1 | whisper2 | once3 | mouse4 |
| said1 | respect2 | since3 | cats5 |
| scene1 | telescope2 | horse3 | eats5 |
| centre1 | obscene2 | house4 | thief’s5 |
Middle between vowels, root final after one vowel
| assume | democracy | stress | discipline |
| essential | basic | purpose | possess |
| philosophy | less | address | diagnosis |
| phantasy | highness | assess | analysis |
Initial and middle before e, i, y, Latin only
| certain | homicide | city | incite |
| circle | access | incident | decision |
| concert | science | recipe | incest |
(1) Initial, (2) middle next to consonant, (3) root final after consonant (4) or two vowels, (5) morphemic final
| ad1 | wiper2 | wun3 | mau4 |
| ed1 | repèct2 | sin3 | cat5 |
| een1 | tèlekœp2 | hor3 | eet5 |
| enter1 | obén2 | hau4 | theef5 |
First degree:
cf. Canterbury Tales: prys [price], sins [since], voys, mous, hors.
middle between vowels, root final after one vowel
| aúm | demòkray | stre | diiplin |
| eencial | báik | perpo | posè |
| filòofy | le | adrè | dyagnóis |
| fàntay | hyne | assè | anàliis |
First degree:
Nordic inflections: haus, hausses
Latin sc: disciple, discern, rescind > dissípel, dissérn, ressìnd
Greek inflections: anàlissis, anàlisses | críssis, crísses
| ertan | homiyd | ity | inít |
| erkel | acess | inident | deision |
| conert | íens | rèipy | inèst |
First degree:
mostly words with c originally pronounced as ken.
Latin inflections: prins, fínans > princes, fínances, cf. Canterbury Tales: vois > voices.
Latin: certain, city, consequences > certan, city, cònsequences
Greek: center, scenery, place, places > senter, sénery, plæs, plásses
Inconsistent Latin spellings are inherited from Latin and French, hence s and c for sen.
Inconsistent Greek spellings are not inherited from Greek: thus no Greek word must be spelt with c.
Greek always requires s for sen and k for ken.
shee
| shed | shock | chef | finish |
| ship | show | machine | pushed |
| shove | fashion | sure | charade |
| shoe | fish | sugar | echelon |
| ed | ok | ef | fini |
| ip | œ | maén | puit |
| uv | faon | ur | arâd |
| oo | fi | uigar | eelon |
First degree:
cf. Canterbury Tales: fish, parish, Frensh
When Anglo-Norman ch or ss are shee, sh is a common assignment:
paroche > parish | finiss[ant] > finish
Modern French words or proper names do not require standardisation if they become irrecognisable:
crochet > *cróshay | Beauchamp > *Bosham | attaché > *atàshay
hee
| hat | horror | hectic | human |
| him | haunt | homage | hymn |
| who | hero | home | hydrogen |
| at | oror | ektik | uman |
| im | aunt | omagg | im |
| oo | ëro | œm | ídroggen |
First degree:
cf. Canterbury Tales: his, hath, holt, heeth.
Silent initial h in Latin words is not standardised: hour, honour, honest > hower, honor, honest
hwen
| what | why | while | when |
| where | which | white | whence |
| ot | y | yl | en |
| ear | ich | yt | ens |
First degree:
cf. Havelok the Dane: hwan, hwil, hwether [hwen, hwyl, hwedder].
In writing that observes hwen, the assigner is hw.
Otherwise, the assigner is wes: wot, wear, wy, wich etc.

Table of Assignments
| Consonant | Greek | Latin | Nordic |
|---|---|---|---|
| mee | m | m | m |
| ness | n | n | n |
| wing | n | nn | ng | n | nn | ng | n | nn | ng |
| yes | — | — | y |
| wes | — | — | w |
| ree | r | r | r |
| lee | l | l | l |
| bess | b | b | b |
| den | d | d | d |
| guess | g | gu | g | gu | g |
| gwen | — | gü | gw |
| exam | zz | zz | — |
| jess | g | gg | j | g | gg | j | gg |
| vee | — | v | v |
| then | dd | — | dd | th |
| zen | z | s | z | s | z | s |
| genre | — | ge | — |
| pen | p | p | p |
| ten | t | t | t |
| ken | k | k | c | k | c |
| kwee | — | qu | kw |
| eks | x | x | x |
| chess | ch | ch | ch |
| fen | f | f | f |
| thin | th | th | th |
| sen | s | ss | s | ss | c | s | ss |
| shee | sh | sh | sh |
| hee | h | h | h |
| hwen | — | — | hw |











